Cross Dressers!

Rolando & Luiz Antonio - Meu Coração É Um Pandeiro Ou... RCA Victor FPL-1 0117 (Fra) (1976)

Luiz Antonio was born in Tatui in the state of São Paulo and was in such bands as Pigalle, Som Okey 5 and Biriba Boys. Most notably, in 1972, he left for Barcelona and cut the immortal 'Brasil Aquarius y Luiz Antonio' LP. It was there in 1974, he met Rio born singer Rolando Faria, at that time in the group 'Ronie & Central do Brasil' (already posted on this blog).

France became their home and together they toured as Les Étoiles, adopting transvestite personas on stage as they brought Brasilian music to European concert-goers. From the 3 studio albums they recorded in France - this is their debut and what a belter.

Lots of great party-driven samba inflected tunes - the funky 'Chica-Chica-Boom-Chic' and 'Alô, Alô' were lifted for the single and amply demonstrate this. Other highlights for me include their beautiful harmonising on 'Você' and a killer rendition of Joyce's 'Nacional Kid'.

1) Chica-Chica-Boom-Chic
2) Você
3) Viola-Violar
4) Côco Verde
5) Estão Batendo
6) Antes Que Eu Volte A Ser Nada
7) Sol Negro
8) Nacional Kid Ou Brasileiro
9) Jeanne, La Française
10) Alô, Alô

Eliana Pittman

Eliana Pittman - Estrela É Lua Nova RGE XRLP-5.334 (1969)

Born Eliana Leite da Silva in Rio, 1945 and step-daughter to the great Saxophonist Booker Pittman. Eliana Pittman was not only a great beauty in her day but singer, actress and dancer who had an extraordinary rapport with her audiences, compared with the likes of Josephine Baker, Lena Horn and Carmen Miranda. She even hosted her own TV specials such as 'Eliana em Tom Maior', 'Positivamente Eliana' & 'Eliana Cravo e Canela'.

In 1969, Booker Pittman dies and Eliana starts to sing alone, the result is this cracking album produced by Joao Araujo, the highlight for me being a majestic cover and sublime arrangement of Tiempo de Verano (Summertime) and the incendiary Se Você Pensa. The rest of the album is varied combination of swinging Sambas, groovy Bossas and slow burning ballads.

1) Olelê... Cheguei Agora-Enxuga A Tristeza Do Olhar-Peixe Vivo-Bahia De Todos Os Deuses-Pra Que Dinheiro
2) Que Maravilha
3) Tiempo De Verano
4) Estrela É Lua Nova
5) Fim De Tarde
6) Viva A Vida!
7) Na Baixa Do Sapateiro
8) Se Você Pensa
9) Vou Morrer De Rir
10) E Você Nem Viu
11) Iá Ia Do Cais Dourado

The self-titled Argentine Fermata release of this LP the following year featured an additional track 'El Globo Rojo' or 'The Red Balloon'.

Fabiano Orchestra

Fabiano Orchestra - Butterfly Island Franck R Records 8.8002 (1979)

Cracking jazz fusion by the Jean-François Fabiano Orchestra out of Guadeloupe on a French only pressing. Deep spacey keyboard noodling and Rhodes solos courtesy Dominique Bérose, lively melodic horn lines, lyrical guitar licks and worldless females interspersed with tracks of a more West Indian bent. Top draw..!

1) Half Moon Bay
2) Fo Ça Changé
3) Créole
4) Rastaman Rock
5) West Indian Meditation
6) Butterfly Island
7) Fusion (Manahattan Pulse)
8) Pointe Des Chateaux

Doug Lucas

Doug Lucas - Niara RKM 97036 (1975)

Spiritual funky fusion from Brussels, Belgium by trumpeter Doug Lucas in a 'Placebo' fashion. All tracks penned by Lucas with a band featuring Yvan DeSouter (Bass) and Frank Wuyts (Keyboards). The album was reissued in the same year on Shadybrook Records in the States and was produced by Bruno Castellucci who can be heard on percussion duties.

1) Niara
2) Home Won't Know Me
3) Kinshasa Chant
4) One For You
5) When It Be The Morning
6) As If We Knew

Diane Tell

Diane Tell Pleiade 2424 165 (1977)

Singer, songwriter, guitarist, b Quebec City, to a Canadian father and US mother, 24 Dec 1957. Her childhood was spent between Paris, Montreal and Val-d'Or, Que. She studied violin and classical guitar at the CMM, and jazz guitar at Saint-Laurent College.

She hosted radio shows on Montreal station CKOI and, when she began singing, opened for Rick Derringer, Chris de Burgh and Leo Sayer. She sang in bars of Montreal's West End prior to recording her first album. Her romantic lyrics coupled with melodies inspired by jazz and South American music charmed critics immediately. Following a one-year stay in New York, she launched her second LP featuring the hit 'Gilberto'.

'Gone are the wooden clogs and prehistoric skirts, gone are the homespun recordings where spontaneity covered up for lack of technique, gone is the musical macrame and the political guilt feelings: Diane Tell heralds the era of technocrats and professionals, image-makers and career-builders,' Nathalie Petrowski wrote in Le Devoir (Montreal).

For her debut release, Diane Tell's beautiful Brasilian tinged pop-jazz album is sung entirely in French against a sophisticated selection of melodies.

1) Les Cinémas-Bars
2) Un Verre d'Amour
3) Bien
4) En Pleurer Ou En Rire
5) La Valse
6) Je N'En Peux Plus
7) Rendez-Vous
8) Mon Métier
9) La Vieille Mort
10) Un Nuage De Mots
11) La Vallée De La Mort

Nick Ayoub

Nick Ayoub Jazz Quintet - The Music Of Nick Ayoub Radio Canada International RCI-455 (1977)

Saxophonist, oboist, english hornist, composer, b Trois-Rivières, Que, of Lebanese parents, 7 Sep 1926, d Montreal, 2 May 1991. Raised in Montreal he took up in turn clarinet, tenor saxophone, oboe, english horn, and flute, and studied with Arthur Romano at the CMM. Studies in oboe followed with Harold Gomberg of the New York Philharmonic.
Ayoub began his professional career in 1943, soon playing tenor saxophone in the dance or jazz bands of Johnny Holmes, Maynard Ferguson, the saxophonist Freddie Nichols, and the trombonist Jiro 'Butch' Watanabe. Though a leading studio musician in Montreal by the early 1950s, and occasionally an oboist (and less frequently a saxophonist) with the MSO, he remained active in jazz. An Ayoub quintet performed at the 1963 Montreal Jazz Festival and other Ayoub bands (usually with trumpeter Alan Penfold and pianist Art Roberts) appeared in Montreal clubs, in concert and on various CBC radio jazz programs through the 1970s.

Lovely deep and exotic jazz here released only in Canada. Funky modal grooves are interspersed with more contemplative, searching jazz cuts. A very fine album that deserves far wider recognition.

Ayoub fl, english horn, soprano saxophone, tenor saxophone, Penfold trumpet, Roberts piano, Angelillo double-bass, Masson drums.

1) Spanish Walk
2) Desert Boots
3) Kittens
4) Put It Out
5) Jazz Concertino Peridot
6) Jazz Concertino Turquoise
7) Jazz Concertino Opale
8) Jazz Concertino Saphir
9) Little Joey

Peaceful Morning

Rupert Cobbett - Peaceful Morning Soul Deep DM-776 (1976)

Another private press out of Ft. Lauderdale, FL. Eight original tracks - plenty of breezy beats and nice fender rhodes. You know the score..!

If you like today's funky rhythms, but miss the sounds of legitimate jazz then relax and listen to Rupert Cobbett. Although there is a definate jazz "sound" to Cobbett's music the word doesn't begin to get into the soul of the man's genius. It is more an experience than a sound. It swings like a cool breeze on a hot Jamaican night then mellows to greet the sundrenched "peaceful morning". Lay back and let it sink into your soul.
(taken from the original liner notes)

Rupert Cobbett - keyboards; Bill Prince - horns; Arlin Strader - percussion; Gary Phillips - bass; Produced by Dave Chiodo.

1) Ain't Done Nothing
2) A Song
3) December 18th
4) Se Sau
5) Where Are You Now
6) Blues For Dave
7) There's No End
8) Peaceful Morning